Tag: antagonists

  • Papa Kòt-Nwa and the Baroness

    Papa Kòt-Nwa and the Baroness

    Artemis Rising is #1,923 in Alternative History, #3,046 in Space Exploration Science Fiction, and #3,092 in Alternative History Science Fiction. If you don’t have yours yet, you can get the paper version here or the kindle version here. Four customer reviews now, but I need a few more to get Audible to take notice – if you’ve finished the book and haven’t left a review, please do so here.

    Celestial Accord isn’t ranked yet. If you don’t have yours yet, you can get the paper version here or the kindle version here. One review so far, thanks Michele! If you’ve finished the book and haven’t left a review, please do so here.

    You can get autographed copies of both books at the Richardson Farmer’s Market Saturday.

    Mirim’s First Christmas just went live. You can find the paper version here or the kindle version here. I’m still working on getting free versions to be available on my website.

    I needed another Old Ones daemon. This is what I came up with:
    Papa Kòt-Nwa (fic) – An Old One daemon who grants power to partially possess and trap souls. Feeds off the power of ritual worship, especially rituals enacted out of fear or dread.

    There are three first worshipers of Papa Kòt-Nwa in the story. Baroness Bahah, Qutab’s mother, Sahiqa and Nigarish. I’m actually kind of proud of the description of their dance of devotion to Papa Kòt-Nwa.

    Cover for Forging the Chain Breakers is final. Now I need the cover for Selene Unchained.

    I got a lot done on Selene Unchained this week. Thank you to Deborah who did an excellent job of protecting my writing time.

    Selene Unchained chapters this week:
    Zafir Burns His Hand renamed Kepler Station – finished
    Laughing Meadows Revisited
    Tunnel 45 Fort
    The Lesson of Forge 27
    Changing Tactics
    The Siege of Kopff Castle
    Raid on Kopff Station
    Battle of the Cloister
    Eldritch Summit – started

    Selene Unchained word count is 57,104, not counting Dramatis Personae (1,301 words).

    I worked on training ChatGPT to be my line editor. I added the style sheet from Celestial Accord to its training and had it review Mirim’s First Christmas. This is ChatGPT’s analysis:

    1. Narrative Voice & POV

    Style Sheet

    • Past tense
    • Omniscient narrator with selective interiority
    • Authoritative but restrained
    • Moral and cultural confidence without polemic

    Mirim’s First Christmas

    Exact match

    How it manifests in the manuscript

    • The narrator moves freely between:
      • Mirim’s perceptions
      • Observed social behavior
      • Cultural explanation
    • Interior thoughts are infrequent and purposeful
    • Moral judgments are implied through tone and consequence, not stated

    Notable reinforcement

    • The narrator never apologizes for tradition, faith, hierarchy, or ceremony.
    • Cultural authority is assumed, not argued.

    Conclusion:
    Mirim’s First Christmas is a textbook execution of the style sheet’s POV doctrine.


    2. Sentence Structure & Cadence

    Style Sheet

    • Medium-to-long sentences preferred
    • Subordinate clauses encouraged
    • Rhythm valued over brevity
    • Fragments allowed for voice, not laziness

    Mirim’s First Christmas

    Perfect alignment, with added sophistication

    Observed patterns

    • Frequent use of:
      • Parallel lists (foods, customs, people)
      • Clarifying clauses (“which,” “that,” “since”)
      • Gentle temporal framing (“After,” “As,” “When”)
    • Sentences often accumulate meaning rather than rush to a point

    Manuscript adds

    • A slightly more Edwardian hospitality cadence than the style sheet explicitly calls out
    • A strong “host explaining traditions to a guest” rhythm that recurs scene after scene

    Conclusion:
    The manuscript doesn’t just follow the rule—it teaches the reader how the rule feels in motion.


    3. Dialogue Philosophy

    Style Sheet

    • Dialogue serves culture, not conflict
    • Polite speech default
    • Humor through understatement and social friction
    • Dialogue punctuation follows Chicago with voice exceptions

    Mirim’s First Christmas

    Exemplary execution

    Key observations

    • Almost no confrontational dialogue
    • Characters explain, reminisce, instruct, tease
    • Humor arises from:
      • Cross-cultural misunderstanding
      • Generational differences
      • Gentle irony (especially Dolores, Eleanor, Nikola)

    Important nuance

    • Dialogue often carries exposition that would normally be narration
    • Speakers are trusted to be intelligent and articulate

    Conclusion:
    The manuscript is a model for how to embed exposition into dialogue without didacticism.


    4. Exposition & Worldbuilding

    Style Sheet

    • Embedded exposition preferred
    • Lists acceptable if contextualized
    • Worldbuilding revealed through lived experience

    Mirim’s First Christmas

    Strong confirmation

    How the manuscript uses exposition

    • Food as cultural memory
    • Ritual as theology-in-action
    • Architecture as values made physical
    • History revealed conversationally

    Where the manuscript goes further

    • Uses ritual density as pacing rather than plot
    • Treats traditions as events worth dwelling on

    This is not just allowed by the style sheet—it is its natural consequence.

    Conclusion:
    The manuscript validates that your style sheet supports “ceremonial fiction,” not plot-driven minimalism.


    5. Capitalization, Religion, and Terminology

    Style Sheet

    • Capitalize divine pronouns
    • Respect doctrinal distinctions
    • Precise theological language
    • Period-appropriate usage

    Mirim’s First Christmas

    Exact compliance

    Notable strengths

    • Orthodox, Catholic, Protestant distinctions handled carefully
    • Theology explained respectfully but confidently
    • Religious language is normal, not exoticized

    Important note

    • The manuscript proves that faith language can be frequent without becoming preachy when handled through tradition and lived practice.

    Conclusion:
    Mirim’s First Christmas is a working proof that the style sheet’s religious rules are narratively sustainable.


    6. Tone Toward Progress, Tradition, and Family

    Style Sheet

    • Civilization is inherited, not reinvented
    • Family and clan matter
    • Progress is additive, not destructive

    Mirim’s First Christmas

    Thematic alignment

    Observed emphasis

    • Marriage as covenant
    • Multi-generational continuity
    • Hospitality as moral action
    • Technology coexisting with ritual

    The manuscript does not merely obey the style—it embodies its worldview.


    7. Where Mirim’s First Christmas Adds to the Style Sheet

    These are not conflicts—these are emergent refinements you may wish to treat as implicit addenda:

    1. Ceremonial Density Is Acceptable
      1. Long stretches with minimal plot advancement are stylistically valid
    2. Lists Can Be Luxurious
      1. Food, customs, and names may be lingered over
    3. Domestic Grandeur Is a Legitimate Setting
      1. Mansions, tables, kitchens, and halls are as important as battlefields

    If you want to get early access to Book 3 chapters, write a nice review for Artemis Rising or Celestial Accord on Amazon or Goodreads, and email me that you’ve done it.