I have taken delivery of the final version of the cover for Artemis Rising. Someone suggested that GetCovers.com could put together a cover for me for a very reasonable price. They were limited to photoshopping stock photos for the cover, no original artwork, but there are probably billions of stock photos available now days. Between what I’ve learned from Nick in the First 10k Readers program and the fact that they specialize in covers, I think it came out very good. All of the review team that commented on the final version liked it and my editor, Sandra, really liked it. I think it will do its job well.
Author: Malcom
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Marketing Education
One of the major differences between my effort to publish Artemis Rising and my effort to publish Seven Into Darkness is that I understand how important marketing your book is to its financial success. With more than 300 million people, any competently written novel will have an audience. the difference between financial success and failure as an author is 1) do you get your novel looked over by a good editor and 2) does your target market know your book exist? The second is enabled by good marketing.
I have been connected to an author and teacher of author marketing by the name of Nick Stephenson. He went from part-time income from his books to $1m a year using the methods he teaches in his ‘Your First 10k Readers‘ program. Unsurprisingly, it is all direct-response marketing. That means I could probably have figured it all out myself, after all, Silver Bullet Marketing is a book about direct-response marketing as well. But instead of taking a year, probably a lot more considering that I’m working on a shoestring right now, to figure things out, I can just learn from the mistakes (and triumphs) of others. Don’t have to spend time making them all myself…
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Editor Chosen
I’m pleased to announce that Artemis Rising has an editor. Sandra Herner will begin editing my manuscript on or about February 18. The fact that it is so far out is just an indication of the level of demand for her expertise. I am confident that she will help Artemis Rising become both an excellent story, and everything it needs to be to be a financial success.
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Victorian Planetology
During the early history of “speculative fiction”, Jules Verne, H.G. Wells, and Edgar Rice Burroughs postulated that all or most of the inner planets were, more or less, hospitable to life. Mars was a desert world, long dying for lack of water. Venus was a jungle world, its cloud-covered face hiding jungles that often housed dinosaurs. It was even speculated that a fifth planet, Vulcan, once lay between Mars and Jupiter. Since this makes for a much richer storytelling setting, and the stories are set in the late 19th century, this is true for my inner planets as well
Mercury’s World River
Mercury is tidally locked to the Sun, but that doesn’t keep it from having water, atmosphere, and life. A constant, cold to cool wind from the cold side blows along the surface with an equally constant hot to warm wind aloft returning the air from the hot side. A deep, broad valley circles the twilight zone between them.
Jungles of Venus
The clouds of Venus are water clouds and the surface is a hot, muggy jungle. Saurian leviathans rule the air, land and sea, making exploration difficult – and that is before considering the bloodthirsty lizard people
Earth, With Bonuses
Our own planet is, mostly, the same. But with all the cool things on other worlds, there have to be mysterious islands, lost civilizations, evidence of ancient bases from peoples of the other planets, and other story elements still to be found. Who knows, maybe a voyage to the center of the Earth is possible…
Moon – Scars of Conflict
Not all of those craters on the moon were from natural meteorite impacts. Thousands of years ago, there was a War in Heaven that almost destroyed the numerous moon bases and instillations. Almost…
Mars And The Elves
Mars has canals. Mars also has the mightiest volcanoes in the solar system. And the people of Mars, both those living in the baroque civilizations of the canal queendoms, and the raiders who venerate the millennia-old trans-atmospheric fighters on static display, are human – except for the pointed ears…
Lost Vulcan
The Asteroid Belt is has about 20 times the mass of the belt in real life. It is also far less evenly spaced, most of the asteroids being in the quadrant centered on the ancient moon Ceres. But the closer one comes to the heart of the Vulcan debris field, the more… haunted it becomes.
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Aether
Luminiferous aether
Luminiferous Aether, or Aether for short in this setting, was supposed to be the medium that light waves propagated through. It made sense that in the same way sounds waves propagated through air (or other media), and water waves propagated through water, light waves propagated through some medium that we had yet to identify. In real life, this idea didn’t have strong experimental evidence against it until 1887 when Albert A. Michaelson and Edward W. Morley ran their famous experiment. Like a well-crafted experiment, it was set up so that the results would fairly conclusively either support the existence of Aether, or not support it. Of course in this world, Michaelson and Morley discovered a difference in the relative speed of two beams of light travelling at right angles to each other.
Aetheric Propulsion
As an outgrowth of there being aether, this world has two inventors who have discovered two different methods of aetheric propulsion. Basically this allows for steampunk spacecraft. There is no way steam engines, even if extremely advance, could provide motive force in space. And it isn’t any fun to require months or years to travel between planets. By making aetheric propulsion machines (without a lot of detail), I can have them provide any needed capability to allow late 19th century technology to safely traverse the void between worlds.
The Inventors
When coming up with who would invent aetheric propulsion, I looked at actual inventors of the time. Edison was an obvious choice. The Wizard of Menlo Park could have easily added an Aetheric Impeller to his vast array of inventions. Once I had him invent the first method of aetheric propulsion, a rival inventor was equally obvious.
Nikola Tesla was an absolute genius, and about as different from Edison as he could be. Edison was self-taught, and basically battered at a problem, trying one idea after another, until he figured out something that worked. Tesla was a university trained engineer/physicist who could (and did) calculus in his head. His approach was to consider a problem in minute detail for long enough that, often, the plan for a complete, or near complete, mechanism would spring to his mind, only requiring the calculations and possibly minor tweaking to turn into a blueprint suitable for manufacturing.
With those two as the inventors, a “Battle of the Aetheric Propellors” similar to the historical “Battle of the Currents” was an obvious next step. This is why Walter and Nikola are brought together by George Westinghouse, whose company lead the way in building the machines for alternating current electrical infrastructure, while Nikola was working for him.
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Alternate History
A fundamental part of my worldbuilding is that these stories are set in an alternate Victorian era. I try to use actual history and historical people as much as possible. When something I’ve changed makes a historical person or event untenable as they actually were, I try to change things in a way that makes as much sense as possible, and, mostly, allow the alternate history to drive the story. If I really want the story to go in a particular direction, I’ll tend to go back and modify things in the “past” (from the point of view of that story) so that my desired story direction makes logical sense.
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Victorian Interplanetary
Telling Stories Again
I’ve decided not only to start telling stories again, but to do it in my own setting instead of a fan fiction/crossover in someone else’s world. I won’t throw away the notes and ideas for the Harry Potter/Jack Ryan crossover, but I’m too excited by the potential stories in the Victorian Interplanetary setting instead.
There are several premises I’m using to inform the worldbuilding on this, and I am trying to do enough worldbuilding that I don’t write myself into a corner. I think that is kind of what happened with J K Rowling’s Harry Potter series. She did only enough world building to serve the story line at that time. I perfectly understand why. When she started out, she was scratching out time to write while trying to make a living – not conducive to spending a lot of time worldbuilding, especially if you are new to the idea.
On the other hand, I’ve done worldbuilding for numerous RPG campaigns in several different genres, and built on the RPG campaign worldbuilding, whether well done or not, for several others. I’ve also played in numerous campaigns that others gamemastered. Some of them had good worldbuilding, some had horrible worldbuilding, some took decent published worldbuilding and built on it, some took decent published worldbuilding and broke it anyway. I’ve even seen gamemasters that took a campaign with decent worldbuilding that they then threw out any pieces that didn’t fit, and made something better.
All that to say, I’m going to try to put together a setting with good worldbuilding. Worldbuilding that supports the story I’m working on, while minimizing the constraints on other stories that might be told later (sequel, prequel, or taking place at the same time in another part of the solar system). We’ll see where that goes…
Enough about what I’m trying to do. The next few posts include some of the elements of the worldbuilding in this setting.